Hong Kong Cinema through a Global Lens
Highlights
Hong Kong Cinema has a global reach. Let's explore how it reached you"¦ Perhaps you know the films of martial arts icons Bruce Lee and Jackie Chan or the heroic bloodshed films of John Woo.
Perhaps you are a fan of stars such as Maggie Cheung or Chow Yun Fat. Maybe you admire works by directors such as Wong Kar Wai.
Whatever you know and wherever you are we invite you to join us on a journey to consider how the local and the global intersect to make Hong Kong cinema an integral part of popular culture around the world as well as a leading force in the development of world cinematic art.
In this course you'll learn how flows of capital, people, technologies, ideas and creativity circulate and shape the cultural industry of filmmaking, resulting in transnational co-productions and cross-cultural co-operations. You'll see how these dynamic processes are inflected in characterization, plot development, and space-time configurations on Hong Kong screens.
Our location in the cultural crossroads of Hong Kong allows us to introduce you to film professionals such as director Mabel Cheung and Andrew Lau, producer John Sham, film festival director Roger Garcia, and other guests, talking candidly about the industry.
During your weeks with us you'll see demonstrations of martial arts choreography, participate in close analysis of film techniques, investigate Hong Kong global stardom, uncover the reasons for the worldwide appeal of genres such as the kung fu film, and nurture a comparative and critical understanding of issues of gender, race, migration. Best of all you'll partner with leading researchers in the field to appreciate Hong Kong's contribution to world cinema.
Please watch these films so that you can get the most out of the course content. Please note that you will need to acquire and watch the films on your own. We advise you see the films before each week's material.
Here is the list of films for each week.
Week 1 " any Jackie Chan film (optional)
Week 2 " any Bruce Lee film (optional), but we suggest Fist of Fury / The Chinese Connection (dir. Lo Wei, 1972), or Enter the Dragon , (dir. Robert Clouse, 1973)
Week 3 " An Autumn's Tale (dir. Mabel Cheung, 1987)
Week 4 " The Killer (dir. John Woo, 1989)
Week 5 " Infernal Affairs (dir. Andrew Lau and Alan Mak, 2002)
Week 6 " In the Mood for Love (dir. Wong Kar Wai, 2000)
香港電影享è½å…¨çƒã€‚您與它的åˆæ¬¡æŽ¥è§¸ï¼Œæ˜¯é€éŽåŠŸå¤«å·¨æ˜ŸæŽå°é¾æˆ–æˆé¾çš„作å“,還是å³å®‡æ£®å¼çš„英雄喋血電影?您最欣賞的香港電影人是張曼玉ã€å‘¨æ½¤ç™¼ç‰å½±æ˜Ÿï¼Œé‚„是王家衛ç‰å°Žæ¼”?
無論您身在何處,å°é¦™æ¸¯é›»å½±äº†è§£å¤šå°‘ï¼Œæˆ‘å€‘éƒ½èª æ„é‚€è«‹æ‚¨åŠ å…¥é€™å€‹æŽ¢ç´¢ä¹‹æ—…ï¼Œæ€è€ƒæ¸¯å¼ç”Ÿæ´»å’Œå…¨çƒæ–‡åŒ–交織而æˆçš„香港電影如何æˆç‚ºåœ‹éš›æµè¡Œæ–‡åŒ–和世界電影è—術發展的主導力é‡ã€‚
在本課程ä¸ï¼Œæˆ‘們將探討資本æµå‹•ã€äººåŠ›ã€ç§‘技〠創æ„ç‰å…ƒç´ 如何在電影製作文化產æ¥çš„å½¢æˆéŽç¨‹ä¸ç›¸å¾—益彰,並促æˆè·¨åœ‹è£½ä½œå’Œè·¨æ–‡åŒ–營é‹ã€‚與æ¤åŒæ™‚,我們亦會探索這些互動在香港電影ä¸çš„人ç‰å¡‘é€ ã€æƒ…節發展和時çºæ§‹é€ 上所帶來的曲折變化。
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在數週的課程裡,您將會目ç¹åŠŸå¤«é›»å½±çš„動作編排, 電影技術的周密分æžï¼Œç ”ç¶é¦™æ¸¯æ¼”員晉身為國際巨星的éŽç¨‹ï¼ŒæŽ¢ç´¢åŠŸå¤«é›»å½±ä»¤å…¨çƒè‘—è¿·çš„åŽŸå› ï¼ŒåŠåŠ æ·±å°æ€§åˆ¥ã€ç¨®æ—與移民ç‰å•é¡Œä¸Šæ¯”較性和批判性的æ€è€ƒæ–¹å¼ã€‚æ›´é‡è¦çš„是,您將與å„路專家一起èªè˜é¦™æ¸¯å°ä¸–界電影æ¥æ‰€ä½œå‡ºçš„è²¢ç»ã€‚
æ¯é€±çš„電影清單:
第 1 周 " æˆé¾çš„任何電影(å¯é¸ï¼‰
第 2 周 " æŽå°é¾çš„任何電影(å¯é¸ï¼‰""建è°å½±ç‰‡ 1.《精æ¦é–€ã€‹(å°Žæ¼” ç¾…ç¶ï¼Œ1972å¹´); 2.《猛é¾éŽæ±Ÿã€‹(å°Žæ¼” 羅伯特* 克洛斯,1973 å¹´)
第 3 周 " 《秋å¤çš„ç«¥è±ã€‹ (å°Žæ¼” å¼µå‰å·ï¼Œ1987å¹´)
第 4 周 " 《喋血雙雄》 (å°Žæ¼” å³å®‡æ£®ï¼Œ1989å¹´)
第 5 周 " 《無間é“》 (å°Žæ¼” 麥兆è¼èˆ‡åŠ‰å‰å¼·ï¼Œ2002å¹´)
第 6 周 " 《花樣年è¯ã€‹ (å°Žæ¼” 王家衛,2000å¹´)
課程目標
- 通éŽåˆ†æžé¦™æ¸¯é›»å½±æ¥çš„æœ¬åœ°å¸‚å ´èˆ‡åœ‹éš›èˆžè‡ºä¹‹é–“çš„é—œä¿‚ï¼ŒåŸ¹é¤Šæ‚¨çš„æ‰¹åˆ¤å’Œæ·å²æ€ç¶èƒ½åŠ›ï¼›
- 在香港電影ä¸ä¸åŒçš„å ´æ™¯ä¸å°‹æ‰¾ç†Ÿè˜çš„細節,從而拓展您å°èº«ä»½å•é¡Œçš„了解;
- 通éŽåˆ†æžé¦™æ¸¯é›»å½±æ¥ï¼Œè®“您更了解全çƒåŒ–å°ç¤¾æœƒçš„影響。
香港电影享誉全çƒã€‚您与它的åˆæ¬¡æŽ¥è§¦ï¼Œæ˜¯é€è¿‡åŠŸå¤«å·¨æ˜ŸæŽå°é¾™æˆ–æˆé¾™çš„作å“,还是å´å®‡æ£®å¼çš„英雄喋血电影?您最欣èµçš„é¦™æ¸¯ç”µå½±äººæ˜¯å¼ æ›¼çŽ‰ã€å‘¨æ¶¦å‘ç‰å½±æ˜Ÿï¼Œè¿˜æ˜¯çŽ‹å®¶å«ç‰å¯¼æ¼”?
æ— è®ºæ‚¨èº«åœ¨ä½•å¤„ï¼Œå¯¹é¦™æ¸¯ç”µå½±äº†è§£å¤šå°‘ï¼Œæˆ‘ä»¬éƒ½è¯šæ„é‚€è¯·æ‚¨åŠ å…¥è¿™ä¸ªæŽ¢ç´¢ä¹‹æ—…ï¼Œæ€è€ƒæ¸¯å¼ç”Ÿæ´»å’Œå…¨çƒæ–‡åŒ–交织而æˆçš„香港电影如何æˆä¸ºå›½é™…æµè¡Œæ–‡åŒ–和世界电影艺术å‘展的主导力é‡ã€‚
在本课程ä¸ï¼Œæˆ‘们将探讨资本æµåŠ¨ã€äººåŠ›ã€ç§‘技〠创æ„ç‰å…ƒç´ 如何在电影制作文化产业的形æˆè¿‡ç¨‹ä¸ç›¸å¾—益彰,并促æˆè·¨å›½åˆ¶ä½œå’Œè·¨æ–‡åŒ–è¥è¿ã€‚与æ¤åŒæ—¶ï¼Œæˆ‘们亦会探索这些互动在香港电影ä¸çš„人ç‰å¡‘é€ ã€æƒ…节å‘展和时çºæž„é€ ä¸Šæ‰€å¸¦æ¥çš„曲折å˜åŒ–。
香港大å¦æ˜¯é¦™æ¸¯çš„æ–‡åŒ–äº¤æ»™ç‚¹ï¼Œæˆ‘ä»¬é‚€è¯·äº†ç”µå½±ç•Œä¸“ä¸šäººå£«ï¼Œå¦‚å¯¼æ¼”å¼ å‰å·å’Œåˆ˜ä¼Ÿå¼ºã€åˆ¶ç‰‡äººå²‘建勋ã€ç”µå½±èŠ‚总监高æ€é›…ç‰ä¸“家,分享电影业的内幕故事。
在数周的课程里,您将会目ç¹åŠŸå¤«ç”µå½±çš„动作编排, 电影技术的周密分æžï¼Œç ”ç¶é¦™æ¸¯æ¼”员晋身为国际巨星的过程,探索功夫电影令全çƒç€è¿·çš„åŽŸå› ï¼ŒåŠåŠ 深对性别ã€ç§æ—与移民ç‰é—®é¢˜ä¸Šæ¯”较性和批判性的æ€è€ƒæ–¹å¼ã€‚æ›´é‡è¦çš„是,您将与å„路专家一起认识香港对世界电影业所作出的贡献。
æ¯å‘¨çš„电影清å•ï¼š
第 1 周 " æˆé¾™çš„任何电影(å¯é€‰ï¼‰
第 2 周 " æŽå°é¾™çš„任何电影(å¯é€‰ï¼‰""建议影片 1.《精æ¦é—¨ã€‹(导演 罗维,1972å¹´); 2.《猛龙过江》(导演 罗伯特- 克洛斯,1973 å¹´)
第 3 周 " 《秋å¤çš„ç«¥è¯ã€‹ (导演 å¼ å‰å·ï¼Œ1987å¹´)
第 4 周 " 《喋血åŒé›„》 (导演 å´å®‡æ£®ï¼Œ1989å¹´)
第 5 周 " ã€Šæ— é—´é“》 (导演 麦兆辉与刘伟强,2002å¹´)
第 6 周 " ã€ŠèŠ±æ ·å¹´åŽã€‹ (导演 王家å«ï¼Œ2000å¹´)
è¯¾ç¨‹ç›®æ ‡
通过分æžé¦™æ¸¯ç”µå½±ä¸šçš„本地市场与国际舞å°ä¹‹é—´çš„关系,培养您的批判和历å²æ€ç»´èƒ½åŠ›ï¼›
- 在香港电影ä¸ä¸åŒçš„场景ä¸å¯»æ‰¾ç†Ÿè¯†çš„细节,从而拓展您对身份问题的了解;
- 通过分æžé¦™æ¸¯ç”µå½±ä¸šï¼Œè®æ‚¨æ›´äº†è§£å…¨çƒåŒ–对社会的影å“。